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兩會翻譯睡著了？／亞裔不是模範少數／手把手教唱花腔

作者：change?  於 2019-3-11 00:20 發表於 最熱鬧的華人社交網路--貝殼村

通用分類:博你一笑



「眾所周知，中國成功的關鍵在於民主制度。」 BWAHAAHAAHAA. 讓我笑一會先。。
("It is widely acknowledged that a key to China's success is its system of democracy." BWAHAAHAAHAA That was hilarious.)
謝謝Chris報道姚明在我演講當中睡著了，現在他已被送到內蒙古超級秘密和諧的再教育營地。－－習近平
(Thank you Chris for reporting on Yao Ming falling asleep during my speech, he has now been sent to our super secret harmonious reeducation camp in Inner Mongolia. ---Xi Jinping)

這招兒新鮮！兩會雇了幾個白人做視頻宣傳，效果如何呢？還有嘻哈活躍氣氛，不過。。。。。。

看看上海等地民眾在兩會期間跟政府的「民主」互動：

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亞裔美國人被限制在模範少數族裔神話的範圍內，通常被認為是一群無法區分的超級成就者，他們都「聰明」，「善於數學」。然而，這些看似積極的刻板印象不僅會對亞裔美國人本身有害, 也不利於廣義的種族關係。在這次演講中，Alice Li從研究和她的個人經歷中汲取經驗，挑戰模範少數族裔神話所概述的二維身份。 Alice Li來自肯塔基州，是范德比爾特大學的二年級學生。她正在攻讀神經科學專業和音樂表演輔修專業。 2015年，她被授予美國總統獎學金和Cornelius Vanderbilt獎學金獲得者。課外，她喜歡烹飪，彈鋼琴，為學生報紙撰寫文章，在心理學實驗室進行研究，以及參與跨文化組織。她的不同興趣來自於與他人共同創造和交流思想的願望，她熱衷於探索學術學科和個人故事的交集。
perpetual foreigner syndrome(永久的外國人綜合症)
"Model Minority" means shutting up and taking the abuse and being congratulated for being obedient. Having an American citizenship means nothing when everyone treats you like a foreigner in your own country.
有人說，「模範少數民族」意味著閉嘴和受氣，並為順從受恭維。在自己的國家被當成外國人擁有美國公民身份就沒有意義
("Model Minority" means shutting up and taking the abuse and being congratulated for being obedient. Having an American citizenship means nothing when everyone treats you like a foreigner in your own country.)。而實際上，很多華人從來就沒有把自己當成美國人，不管是文化上和法律政治上。

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希望在下一代？

最近在加州足球大賽唱美國國歌紅遍美國的Malea Emma越來越紅，7歲的她父母是來自印尼的華裔，不會說話就開始唱歌了。在我看來她是真正的女神，超人氣的巨肺美聲，頭腦極其清楚，說話極其得體又討人喜歡，舉手投足，毫不亞於已過世的好萊塢最偉大童星Shirley Temple Black－－中國影迷熟悉的「秀蘭•鄧波兒， 不信你看她在ABC黃金檔早安美國與歌壇巨星和各界人士互動時的表現和表演。

這個提神！！！
7歲的Malea Emma與「夢幻女郎」艾美獎得主Jennifer Holliday表演。

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讓美聲更完美，真的可以做到

世界著名的女中音喬伊斯·迪多納托（Joyce DiDonato），為國家歌劇院工作室的藝術家舉辦了一個聲樂大師班。給人們展示了超一流的歌唱家和教師的洞察力和指導技巧，令人讚歎。看完聽完，就算吃瓜觀眾，也會變得文明多了。



---Now here is (finally!) a master class teacher who literally doesn't only want to hear her own voice, but that of her students just as much. Unlike the formidable ES, she lets them sing their aria straight through before knuckling in. The most intelligent way, since thusly she gets the total impression, the total interpretation, such as the student desires to get across. With ES, it became rapidly clear that she wanted to imprint in her students her own interpretation, so it was rare they got through 2 phrases w/o interruption. Love DiDonato's smile as she listens, the interest in her regard. Nothing more laudable in a teacher, except, ofc the teaching that follows, always kind, precise, attentive, respectful & lots of fun. Her applause alone is praise. But then she does praise before going into possible improvements. The students benefit from her musicianship as well as from her teaching techniques, which are frankly impressive. Not all singers or practising artists have that ability.

---who is ES? i'm not an opera expert though i do enjoy it

--- Elisabeth Schwarzkopf. You can see her masterclasses on YouTube. After five minutes of her relentless criticism, the students can barely sing anymor

--- thanks for telling me. i'm curious to watch her approach, though i know i'll hate it! real learning comes from people like joyce.

---To be fair, Schwarzkopf was equally critical of herself, and her husband, Walter Legge, who produced her records and many others for EMI, was even harsher with her. But that's not a good way to teach, I'm sure you'll agree.

----I get butterflies in my stomach every time a new masterclass with joyce is posted!!!

----I am stupidly excited because yesterday I found out that there are master classes open to public and she'll be doing some in NYC when I am visiting.

---I just love how Joyce sets up a safe learning environment from the onset. She is a true teacher! And oh, what a singer. Time to go listen to her sing "Thy Hand, Belinda."

----singing into a hairbrush"... spot on!
Ms DiDonato is so full of nice, authentic, real-life humour that it is a pleasure to listen to her even when she's "just" talking.

----That exercise of subdividing and stressing/energizing different notes of the subdivision is one of the first exercises my violin teacher gave to me, didn't know singers did it. Is so good to make you understand and internalize the notes. And the physicality Joyce makes you remember in music is so spot on. Is so easy for musicians to freeze and get stuck because they don't prepare in the right way, remembering they have a body and that the music has to go through it. I've seen people study a piece for hours a day for months and still have a hard time with it, me included, because the practice was limited to fingers and brain only, the body was there just to care it. THANKS FOR THE CLASS !!

--- I don』t know the first thing about operatic singing, my experience being limited to English Church choral music.....but wow...I was browsing YouTube and and came across this. But I was a teacher for 30 years and Joyce is a fantastic teacher. I think I』m going to spend a lot of time today watching Royal Opéra House vids today.

---This is so beautiful! Every problem in music is solved by rhythm! Finally a classical singer/musician who understands. Listen to how Joyce controls her vibrato. She can keep straight notes like Natalie Dessay. The intelligence of a singer in any genre lies in how they use their vibrato and the girl here vibrates all the time from the beginning of the note on. It eats up all the energy. Can I hear a straight note please?

----OMG that second girl when Joyce brought all that emotion out of her, I was nearly crying.

----i'm a pianist but i was transfixed by this; i watched the whole thing, this was friggin' awesome!

----I wish I could be an opera singer!

---it is just a lot of work, the younger you are the best it is to start :)

----If you have no laryngeal damage (nodes for instance) and if you can match pitch, then you CAN be an opera singer! Find the right teacher for you and know that it takes years. Whether you make a living at it is a different conversation. Go for it!

---When she worked with the second girl, at the end, when she corrected her those energy feelings, i cried so much.

---I cried too! This was huge!!

----She is the best teacher I've ever seen teach anything. Its awe inspiring

----Re the first singer: Right away I could hear that she had no legato; the notes didn't connect to each other. What fascinated me was how Joyce DiDonato got her to sing legato using subdivision. I'm going to add that to my repertoire of coaching techniques. DiD. is such a lovely person--so warm and encouraging.

----right. I was immediately intrigued when she started to suggest 8th notes

----new joyce masterclass? my day is made


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