美國攝影師淺談數碼攝影

英文自動原譯中文本 不太通順 將就參考吧.附英文原文[/COLOR]

[CENTER][B]美國攝影師淺談數碼攝影[/B][/CENTER]　　

您是否願意做照片. 攝影、燈光::一切都定. 主題是微笑,你願意去,你可以隨時被折斷的. 但等待. 你知道沒什麼可以做更多的改進這種照片? 在此之前,有一些基本的提示你考慮命中 " 點擊. " 他們易學,每個圖片你是否將受惠於新發現你知識. 甚至可以拍出專業視畫像,是適合的制定.

你準備拍
平靜了30分鐘的時間,將你的照片. 督促你和你的主題有飯吃、有輕有充分休息. 收集道具、服裝、編製背景下,免於地上.

注重玩樂
發現鬆動、幽默. 最好經常出現在一些無聊的照片出現在幕後. 給你一個主題,或則笑說幽默表示,造成的傑作,在今後一段時間內可以珍惜.

靠近它
力爭在2-4英尺貴問題. 你想有90%和10%的人了解你的背景. 即使在親近的感覺不舒服. 這是從何處得到最好的照片.

剪斷出擊
不喜歡狗的照片廢墟物體偏離你組成. 如有的一個電話線、一個鋁罐、或是別的,是不是你了解的重點,然後消除它.

嘗試一種全新的視角
用不同的角度考慮. 有點創意. 取得地上,你看問題從不同的觀點. 沒有人用秒錶,所以慢慢找到最佳角度.


考慮組成
形象是成功的和有意義的,它需要由正確. 你盡可以引導觀眾的目光對你的問題. 不要害怕和實驗! 但如果你不是處於最有利的地位,他們都走動時才達到最佳組合.

找到正確的照明
關掉你的閃光燈. 你用閃光燈拍攝破壞面臨著嚴峻的、不自然,給人看看,如鹿陷入頭燈. 獲得更優質的語氣和拍馬屁、利用自然光. 主題您坐兩旁或大門旁邊的窗戶反映中午孫光明 … 輕軟,間接使美麗的圖畫. 這也使得問題的一方,你臉上的光與其他民工,造成強烈的情緒和情感.

拍更多圖片
很多人都說到節儉拍照. 但與數碼相機,你可以簡單地刪除你不喜歡的照片,因此被折斷! 整個畫面以一補證問題. 你一定能找到一些照片,將你的快感. 使用這些提示洞察力會幫你創造優質的家人和朋友的照片. 業餘攝影者多數都採取了一些很好的照片比對自己的生活. 如果幸運,你就要採取一些真正具有大. 因此,什麼是對那些偉大形象與眾不同的資源? 有幾個非常有用的提示你可以學到一個下午,就可以大大改善你的照片. 五個基本要訣理解也產生深遠的影響你的照片.

1. 把住你的相機
攝像機的最常見原因是運動畫面模糊. 你們廠立足當地. 穩定你揍你心滿意足的上半身密切雙方你來. 你認為你堅決反對,面對鏡頭. 現在您準備的大時刻. 以深呼氣,輕輕一擠下快門釋放議案. 現在溫柔 … 如果你按下按鈕就太辛苦了,你能舉起相機向下. 也可造成呼吸困難甚至相機議案. 如果你覺得不牢靠,你想用三腳架. 嘗試穩定自己的反對或倚牆壁或樹上.



2. 知道何時使用閃光燈
多數數碼相機有自動閃光,當火災暴露制度存在著的輕太少. 這是因為許多相機使用的設定違約,你不知道它是用閃光燈. 圖片單位有閃光燈亮了汽車質量,盡量減少陰影. 根據從閃光燈之快,你不用擔心你的問題,提出了在模糊畫面曝光,即使您在您手中持有相機. 這是對某種巨大照片,如你不想Portraits.but照明彈,你產權問題. 相反,由於試跳產、牆壁和天花板上你的問題. 確保你的問題並不只是太靠近圍牆,否則會分散了陰影. 自動閃光照片常 " 紅色的眼睛. " 消除紅眼的選擇就是這麼簡單紅眼減少你設定相機(外觀手冊請示). 你還可以取消紅眼事後的軟體,帶著你的照相機,但它的方便,以避免它在首位.

3. 利用自然光
有時候你應該忘記你自動使用閃光燈,而是利用現有或 " 自然 " 輕,甚至在低光情況. 乾乾提供一個很好的窗口,通過漂流拍照:一種微妙的相互作用,並根據色彩艷麗. 但這種輕將受到沖的前面,你就會失去質感表面耐人尋味. 在這種情況下,你應把閃光的鏡頭支持產、身體接觸久(或你的照片將在攝影機運動模糊). 很容易關掉自動閃光燈. 檢查你的使用手冊的指示.

4. 不說乳酪
有時你要提出一個絕對的情況,如孩子與祖父母. 但你不必每次都造成你科目. 部分數碼攝影美容是很容易便可掌握人生坦誠的時刻. 所以說,忘記了一件令他們乳酪笑! 主題您將輕鬆、自然面貌,讓更多的人格柔美.


5. 避免牛眼效果
但's不妥把你的中心議題的確切時間,但也沒什麼特別有意思的笑容. 的構成看,它的外型更實際地而不是在你的中心議題產中的景象. 就要指占統治、審判,並於真實作曲技巧. 這裡的情況如何:你心目中的,瓜分照片三分之二面積為橫向和縱向(像旅遊業的交通諮詢委員會,網趾).

有點問題,而不是把你咬的中心電網,努力把它的一對四線,創造更有趣畫面. 你可能在排隊的人受到了一致或B線為例. 在風景或照片,你可以嘗試以解放思想、山一、二號線線在地平線上. 使用規則三分之二創造一個更驚人畫面感的比例或規模.


[B]英文原文[/B]
So you're ready to take a photo. Camera, lights...everything is set. Your subject is smiling and ready to go, and you could snap the shot at any moment. But, wait. Are you sure there's nothing more you can do to improve this photo? Here are some basic tips to consider before you hit "Click." They are easy to learn, and every photo you take will benefit from your newfound expertise. Even a beginner can take professional-looking portraits that are suitable for framing.

Prepare for your shoot
Schedule a quiet 30 minutes to take your pictures. Make sure you and your subject have eaten a light meal and are well-rested. Gather props and clothing, and prepare a background that is free from clutter.

Focus on having fun
Loosen up and find humor. Often the best pictures occur when something silly happens behind the scenes. Then your subject laughs or gives a funny expression, which results in a masterpiece you can cherish for years to come.

Get closer
Try to get within 2-4 feet of your subject. You want to have 90 percent person and 10 percent background in your picture. Get close even when it's uncomfortable. This is where you get the best photographs.

Cut the clutter
Nothing ruins a photo like stray objects that detract from your composition. If there's a phone wire, an aluminum can, or anything else that isn't part of your picture's focus, then eliminate it.

Try a new angle
Consider using a different angle. Get a little creative. Get down on the ground and look at your subject from a different perspective. Nobody is using a stopwatch, so take your time to find the best viewpoint.

Consider composition
For an image to be successful and meaningful, it needs to be composed correctly. Do whatever you can to guide the gaze of the viewer toward your subject. And don't be  to experiment! If your subject isn't in the best position, have them move around until you achieve the best composition.

Find the right lighting
Turn off your flash. Using a flash destroys your pictures and gives faces a harsh and unnatural look, like deer caught in the headlights. To get a more flattering tone and higher quality, use natural light. Have your subject sit sideways next to a window or door reflecting the bright midday sun…indirect light makes soft and beautiful pictures. It also makes one side of your subject's face light and the other shadowed, which creates strong emotion and mood.

Take more pictures
Most of us are frugal when it comes to taking pictures. But with a digital camera, you can simply delete the pictures you don't like, so snap away! Fill the entire picture card with one subject. You are sure to find a few pictures that will thrill you. Using these insightful tips will help you create quality portraits of your family and friends. Most amateur photographers have taken more than a few really good pictures in their lives. And if they're lucky, they will have taken a few that are truly great. So what is it about those great images that sets them apart? With a few helpful hints that you can learn in an afternoon, you can improve your pictures tremendously. Understanding the following five basic tips will also have a profound impact on your photographs.

1. Hold your camera steady
Camera movement is the most common cause of blurry pictures. Plant your feet firmly on the ground. Steady your upper body by tucking your elbows in close to your sides. And hold your camera firmly against your face. Now you're ready for the big moment. Take a deep breath and gently squeeze down the shutter release in one motion. Gently now…if you press down too hard on the button, you could jerk the camera downward. Even breathing too hard can cause the camera to move. If you feel shaky, you may want to use a tripod. Or try stabilizing yourself by leaning against a wall or a tree.

2. Know when to use a flash
Most digital cameras have an auto flash that fires whenever the exposure system determines there's too little light. Since many cameras use this as the default setting, you may be using the flash without knowing it. Photos lit by auto flash have a flat quality that minimizes shadows. The light from the flash is so fast that you don't have to worry about your subject moving and blurring the picture during the exposure, even when you're holding the camera with your hands. This is great for some types of photos, such as portraits.But you may not want the flash to bounce right off your subject. Instead, try bouncing the light off a wall or ceiling and onto your subject. Just make sure your subject isn't too close to the wall, or the result will be a distracting shadow. Auto flash photos often have "red-eye." Eliminating red-eye is as simple as choosing a red-eye-reduction setting on your camera (look in the manual for instructions). You can also remove red-eye after the fact with the software that came with your camera, but it's easier to avoid it in the first place.

3. Use natural light
There are times when you should forget about using your automatic flash and instead use available or "natural" light, even in low-light situations. Sunbeams drifting through a window provide a terrific photo opportunity: a subtle interplay of light and gorgeous colors. But this kind of light will wash out the foreground subject and you'll lose intriguing surface textures. In this instance, you need to turn the flash off and physically support the camera for a long exposure (or your photo will blur from camera movement). It's easy to turn off auto flash. Check your user's manual for instructions.

4. Don't say cheese
Sometimes you want a perfectly posed picture, such as the kids with their grandparents. But you don't need to pose your subjects every time. Part of the beauty of digital photography is that it is much easier to capture life's candid moments. So, forget the cheese and say something to make them laugh! Your subjects will look relaxed and natural, allowing more personality to shine through.

5. Avoid the bull's-eye effect
There 's nothing wrong with placing your subject in the exact center of the frame, but there's nothing particularly interesting about it either. Compositionally speaking, it's actually more pleasing to place your subject off center than in the middle of the picture. We're referring to the Rule of Thirds, a tried-and-true compositional technique. Here's how it works: In your mind's eye, divide up the picture area into vertical and horizontal thirds (like a tic-tac-toe grid).

Rather than placing your subject smack dab in the center of the grid, try placing it on one of the four lines to create a more interesting picture. You might line up a human subject on line A or on line B, for example. Or in a landscape photo, you could experiment by aligning the mountains or horizon on line 1 or line 2. Use the Rule of Thirds to create a picture with a more dramatic sense of scale or proportion.

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