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評書迷 發表於 2005-12-13 06:44 | 只看該作者 回帖獎勵 |倒序瀏覽 |閱讀模式
請哪位朋友幫忙翻譯下面幾個片語/短句:

1."貴族和平民"的市場化運作
2.給人文紀錄片的發展提供了新的契機
3.電視的現實
4.展望了其前景

多謝!

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montrealer 發表於 2005-12-13 10:43 | 只看該作者
1. the Marketing Campaign of "Aristocrat and Common People"
2. has provided the new turning point to the development of Humanities Documentary Film
3. the reality of Television (different from Reality Television).
4. has foreseen its perspective

沒有上下文是無法翻譯的.所以只有安照字面直譯.有很多詞可以用的.這裡只選其一.比如"契機", "展望","前景", 再則"貴族和平民"這裡指什麼,一種運動嗎?
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 樓主| 評書迷 發表於 2005-12-13 23:05 | 只看該作者
謝謝,但還想請教:
2."人文紀錄片" 翻成 documentary film about humanities 是否妥當?
4.perspective 還是 prospective (or prospect)?
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montrealer 發表於 2005-12-14 00:02 | 只看該作者
謝謝,但還想請教:
2."人文紀錄片" 翻成 documentary film about humanities 是否妥當?

--- not very good. or using Documentary Film of Humanities ( is ok, for example, Department of Humanities in university.)
I prefer Humanities Documentary Film (must Uppercase)[/COLOR].

4.perspective 還是 prospective (or prospect)?
prospect is ok,you can decide by yourself depending on the context.
perspective is view or outlook (I think this one is better)
prospective is potential or future (example, prospective student)

prospective student means the student could be accepted but not yet. So prospect means uncertain, maybe or may not be.
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montrealer 發表於 2005-12-14 01:59 | 只看該作者
."人文紀錄片" 翻成 documentary film about humanities 是否妥當?
if you translate this to Chinese, it is 關於 humanities. (regarding or concerning humanities is better if you want to use it, anyway, it depends on your context)
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 樓主| 評書迷 發表於 2005-12-14 05:36 | 只看該作者
謝謝!
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原野一郎 發表於 2005-12-14 09:31 | 只看該作者
."人文紀錄片" 翻成 documentary film about humanities 是否妥當?

=======================================

documentary film about humanities and their cultures
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montrealer 發表於 2005-12-14 10:19 | 只看該作者
比如有關交叉文化的記錄片我們說cross-cultural documentary film

又比如說人文電影 Humanities Film

那麼人文紀錄片當然用 Humanities documentary film

你覺的has provided the new turning point to the development of documentary film about humanities and their cultures 句子結構好嗎?  the development of .... about...

更多的例子:
Contemporary Documentary film 當代記錄片

Humanities Film Series

Fall 1998

A series includes films that touch on the topic of 'Apocalypse'....   
  
In the following listing we link you to the relevant page in the International Movie Database web site.  This page will provide valuable information about the film as well as link you to reviews.  If you would like further review material, try Flicker-- and then there's always your favorite search engine...
  

9/22 - Seventh Seal (Bergman)
10/13 - Dr Strangelove (Kubrick)
10/27 - Dreams (Kurosawa)
11/10 - Exterminating Angel (Bunuel)
12/1 - Weekend (Godard)

Mockumentary
From Wikipedia, the free encyclopedia that anyone can edit
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Mockumentary, a portmanteau of mock documentary [/COLOR] (also fictional documentary [/COLOR] or false documentary[/COLOR]), names a film and TV genre, or a single work of the genre. The mockumentary is presented as if it were a documentary, though it is not factual. It is a commonly used medium for parody and satire.

Mockumentaries are often presented as historical documentaries [/COLOR] with b roll and talking heads discussing past events or as cinema verite pieces following people as they go through various events. Examples of this type of satire date back at least to the 1950s (a very early example was a short piece on the "Swiss Spaghetti Harvest" that appeared as an April fool's joke on the British television program Panorama in 1957), though the term "mockumentary" is thought to have first appeared in the mid-1980s when This is Spinal Tap director Rob Reiner used it in interviews to describe that film.

一般直接在documentary加形容詞,名詞做形容詞也如此.

The false documentary form has also been used for some dramatic productions (and precursors to this approach date back to the radio days and HG Wells' The War of the Worlds).

Mockumentaries are often partly or wholly improvised, as an unscripted  of acting helps to maintain the pretense of reality.
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montrealer 發表於 2005-12-14 10:53 | 只看該作者
電視的現實?
查了大英百科全書Britannica  Encyclopedia發現reality television和documentary film有關,但reality television是一種電視流派,應翻成"現實電視"

From Wikipedia, the free encyclopedia

Reality television is a genre of television programming which generally is unscripted, documenting actual events over fiction, and featuring "ordinary" people over professional actors[/COLOR]. Although the genre has been featured since the early years of television, the current explosion of popularity dates from circa 2000 (particularly from Expedition Robinson). Critics of the genre have claimed that the term is a misnomer, as many reality TV shows put the participants in exotic locations and/or abnormal situations, thus not presenting any semblance of "reality." According to the Nielsen Media Research, reality shows account for about 56% of all of American TV shows (both in cable and broadcast), and also accounts to about 69% of all of the world TV shows (in cable and in broadcast).

Origins of reality television
Though there were earlier precedents on radio and television, the first reality show in the modern sense was probably the PBS series An American Family. Twelve parts were broadcast in the United States in 1973. The series dealt with a nuclear family going through a divorce.

An American Family was controversial in its time and excoriated by the press, particularly The New York Times, which published a piece criticizing the series and especially family member Lance Loud. The show was notably parodied by Albert Brooks' first film, Real Life. The acclaimed 1976 satirical film Network would also involve a reality TV series as one of its central plot points.

In 1974 a counterpart program, The Family, was made in the UK, following the working class Wilkins family of Reading. In 1992, Australia saw Sylvania Waters, about the nouveau riche Baker-Donaher family of Sydney. Both shows attracted their share of controversy.

The series that is perhaps most responsible for inspiring the recent interest in reality television is COPS, which first aired in March of 1989 and created a popular base for such programming. It was followed by MTV's The Real World, which became another one of the first reality programs to gain mainstream popularity. Among mainstream television networks, FOX pioneered the form with COPS and America's Most Wanted, the former being more innovative in terms of reality TV shows that later became a regular part of network programming. In 2000, with the emergence of Big Brother and Expedition Robinson in Europe as well as Survivor in the USA, there came about a plethora of game-based reality TV shows that multiplied in diminishing returns and questionable taste.

Due to the typically low production values associated with reality television (such as having only a handful of people on the set, relatively inexpensive sets, and not much post-production), this type of programming is very popular with television network executives wishing to maximize profits. This drive to minimize production costs has led to class action lawsuits by the Writers Guild of America representing story producers alleging exploitative practices such as being forced to work unpaid. While not writers in the traditional sense, the union believes that story tellers perform the same basic function as writers by creating scenarios, engineering moments of drama and editing the raw footage into a story line.

[edit]
Types of reality TV
There are a number of sub-categories in the genre known as reality television. In some, the viewer and the camera are passive observers following people going about their daily personal and professional activities; this  of filming is often referred to as "fly on the wall" or cinéma vérité. COPS is a notable example of the genre. Other programs place contestants in competitions or artificial living environments (see Survivor). Often "plots" are constructed via editing or planned situations, with the results resembling soap operas ― hence the term, docusoap.

[edit]
Celebrity reality vs. ordinary reality
Scholars have suggested that reality television's success is due to its ability to place ordinary people in extraordinary situations. For example, on the ABC show, The Bachelor, an eligible male dates a dozen women simultaneously, traveling on extraordinary dates to Napa Valley, California and Vail, Colorado. The converse is a recently emerged subset, in which extraordinary people (celebrities) are surrounded by ordinary circumstances. Examples include The Anna Nicole Show, The Osbournes, The Simple Life, The Surreal Life, and Newlyweds (featuring Jessica Simpson and Nick Lachey).

[edit]
Hidden cameras
Another type of reality programming features hidden cameras rolling when random passersby encounter a staged situation. The reactions of the passersby can be funny to watch, but also reveal truths about the human condition. Allen Funt, an American pioneer in reality entertainment, led the way in the development of this type of show. He created Candid Microphone, which debuted on the ABC Radio Network in 1947, and the internationally successful Candid Camera, which first aired on television in 1953. He later produced a feature-length reality film in 1970 titled, What Do You Say to a Naked Lady? The film was a hidden-camera study of sexuality and mores of the time. In one staged situation, passersby encountered an interracial couple. Modern variants of this type of production, particularly the British Trigger Happy TV, typically stage humorous and/or bizarre situations such as actors in animal costumes pretending to copulate on a crowded sidewalk.

[edit]
Game shows
Another type of reality TV is the so-called "reality game shows", in which participants are filmed on a nearly-constant basis in an enclosed environment while competing to win a prize. There remains a large gray area between these and traditional game shows, which also involve non-actors in unscripted situations. One aspect that makes these shows more like reality television than other game shows is that the viewing public can play an active role in deciding the outcome. Usually this is done by eliminating participants (disapproval voting) or voting for the most popular choice to win (with some other voting system).

Probably the purest example of a reality game show is Big Brother, a show which still has incarnations in many countries around the world. The series takes its name from the all-seeing authority figure in George Orwell's book Nineteen Eighty-Four, in which two-way television screens are fitted in every room, so that people's actions are monitored at all times. (Another work of science-fiction that went even further in predicting reality TV was Nigel Kneale's Year of the Sex Olympics.) In the American version of Big Brother, the concept of cast members getting voted off by the public extended only through the first season; in subsequent seasons, the show went with the more "traditional" approach of having contestants vote each other off.

There remains controversy over whether shows like the UK's Pop Idol (spun off in various countries, including in the U.S. as American Idol) and the similarly-globalized The Weakest Link and Who Wants To Be A Millionaire are truly reality game shows or simply modern incarnations of traditional game show or talent show formats. There does not seem to be much to distinguish these from older shows such as Star Search or The 64,000 Dollar Question, respectively, on the surface; nevertheless, their sudden rise in global popularity at the same time as the arrival of the reality craze leads many people to group such shows under the reality TV umbrella. The Apprentice, Dog Eat Dog and Fear Factor are also included in this group.

[edit]
Dating shows
Another form of reality TV is the relationship reality show, which follows contestants choosing the hand of a group of suitors. Over the course of the season, the suitors are eliminated one by one until the end, when only the contestant and the final suitor remains. The Bachelor would also fall into this category. Antecedents may be found in The Dating Game from the 1960s.

[edit]
Sport shows
This type of reality show recruits athletes to engage in sport competition during the show. The featured sport tends to be an individual sport as opposed to a team sport, since the goal is to produce individual winner or winners (depending on the number of divisions such as weight classes) at the end of the season. One match usually takes place in each episode, eliminating the loser. The Contender features boxing, while The Ultimate Fighter showcases mixed martial arts.

[edit]
Talk shows
Though the tradional format of a "talk show" is that of a host interviewing a featured guest or discussing a chosen topic with a guest or panel of guests, the advent of "trash talk" shows has often made people group the entire category in with reality television. Programs like Ricki Lake, The Jerry Springer Show and others generally recruit(ed) everyday guests by advertising a potential topic that producers were working on for a future program. Topics are frequently outrageous and are chosen in the interest of creating on screen drama, tension or outrageous behaviour. Though not explicitly reality television by traditional standards, this (allegedly) real depiction of someone's life, even if only in a brief interview format, is frequently considered akin to broader-scale reality T.V. programming.

[edit]
Analysis
Given that producers design the format of the show, as well as control the outcome of some of them, it is questionable how "real" reality television actually is. There is no doubt that producers are highly deliberate in their editing strategies, able to portray certain participants as heroes or villains, and guide the drama through altered chronology and selective presentation of events. Likewise, shows use carefully designed scenarios, challenges, events, and settings to encourage particular behaviors and conflicts. Yet there has been no clear indication that these programs are fully scripted or "rigged," as with the 1950s television quiz show scandals. One exception may be reality shows which revolve around sports: due to the participants being athletes who are attempting to establish their own name in the same sport in real life, the setting of such shows tends to be realistic and confrontational. The Contender became the first American reality show in which a contestant committed suicide after being eliminated from the show. In each season of The Ultimate Fighter, at least one participant has voluntarily withdrawn or expressed the desire to withdraw from the show due to competitive pressure.

Generally very specific contractual agreements signed by reality show participants/actors prevent them from commenting on the process in detail, which would publicly shed light on just how "real" the programs are. An exception is Irene from The Real World Seattle, who has done public speaking tours vehemenantly insisting that it is completely UNreal. Additionally a weblog surfaced in October of 2005 by an individual calling himself "Famous on TV"; in it he claims to currently be starring in a reality program (he will not give specifics) and he details the extensive details of the process. 1

Reality television has attracted criticism from those who feel that the pervasiveness of the genre on network television has come at the cost of scripted programming. There has also been concern expressed in the media by network executives that such programming is limited in its appeal for DVD reissue and syndication, although it remains lucrative for short-term profits. One series in particular defies this analysis. COPS has had huge success in syndication and direct response sales, as well as DVD in retail. Moreover, it has been a FOX staple since 1989, and is currently (2005) in its 18th season, defying all odds. By late 2004-early 2005, networks such as CNN were suggesting that the genre's popularity was waning in America, with long-running reality shows such as The Apprentice scoring lower-than-expected ratings, and many new shows such as FOX's Who's Your Daddy? (a controversial program in which a female contestant who had been adopted as a child had to guess the identity of her biological father) and CBS's The Will (about a real-life family squabbling over an inheritance) failing. On January 13, 2005, CNN reported that The Will had become one of a handful of series in television history to be cancelled after only one broadcast.

Reality TV is a cultural phenomenon that has allowed successful shows to be produced cheaply. However, these costs may increase. In June 2005, reality TV "writers"―who either write segments for shows or edit the hours of footage to create storylines―have come together through the Writers Guild of America to try to unionize. A union would require good working conditions, health benefits, and higher wages. These benefits are sometimes given to the workers, but they do not want to have to fight for them each time they work on a new show.

[edit]
See also
List of reality television programs
Category:Reality television series
Bunim/Murray Productions
Endemol
Mark Burnett
Telepictures
John Langley
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montrealer 發表於 2005-12-14 11:13 | 只看該作者
送交者: 原野一郎 12/14/05, 09:31
--------------------------------------------------------------------------------


."人文紀錄片" 翻成 documentary film about humanities 是否妥當?

=======================================

documentary film about humanities and their cultures

humanities是人文, their指什麼呢?況且humanities範疇大包含歷史語言音樂文化哲學等..
所以documentary film about humanities and their cultures[/COLOR]是畫蛇添足 [:475:]
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原野一郎 發表於 2005-12-14 18:06 | 只看該作者
Oops, dropped a brick here, hahahaha, well, thanks for your nice words.

Humanity and its culture, well, certainly humanities have included eveything.

[:481:]
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cwjjzhou 發表於 2005-12-14 18:48 | 只看該作者
人文記錄片-liberal arts documentary film?
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montrealer 發表於 2005-12-15 00:18 | 只看該作者
liberal arts = humanities
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 樓主| 評書迷 發表於 2005-12-15 10:58 | 只看該作者
多謝各位,特別是Montrealer. 再請教各位兩點:
1.某東西的"個性化特色"
2."原生態的創作手法" (比如拍攝的紀錄片, 不做過多修飾)
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montrealer 發表於 2005-12-15 11:22 | 只看該作者
抱歉我連中文也看不懂.但如果你是學電影的,看的書肯定比我多.下列文字也許你早已看過了,所以問人不如問己.你有這方面的專業,人家如我一個外行是看不懂的.
In the 1930s, documentarian and film critic John Grierson argued in his essay First Principles of Documentary that Robert Flaherty's film Moana had "documentary value," and put forward a number of principles of documentary. These principles were that cinema's potential for observing life could be exploited in a new art form; that the "original" actor and "original" scene [/COLOR] are better guides than their fiction counterparts to interpreting the modern world; and that materials "thus taken from the raw" [/COLOR]can be more real than the acted article. In this regard, Grierson's views align with Dziga Vertov's contempt for dramatic fiction as "bourgeois excess," though with considerably more subtlety. Grierson's definition of documentary as "creative treatment of actuality" h[/COLOR]as gained some acceptance, though it presents philosophical questions about documentaries containing stagings and reenactments.

In his essays, Vertov argued for presenting "life as it is[/COLOR]" (that is, life filmed surreptitiously) and "life caught unawares[/COLOR]" (life provoked or surprised by the camera). Cinema verite borrows from both Italian neorealism's penchant for shooting non-actors on location, and the French New Wave's use of largely unscripted action and improvised dialogue; the filmmakers took advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfold.
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montrealer 發表於 2005-12-16 10:28 | 只看該作者
Another example of a documentary film  is cinema verite[/COLOR], also known as direct or observational cinema[/COLOR], at least in the United States. Emerging in the 1960s, this genre eschewed previous documentary traditions of narration, staged interviews, and file footage. Instead, filmmakers in this genre recorded real life in the real world [/COLOR] with portable cameras and sound equipment. Not asking questions and provoking action, filmmakers let life happen and let the camera record it as it happened.[/COLOR]

The key example of this genre is Primary, directed by Robert Drew in 1960. For this film Drew and his team followed John F. Kennedy and Hubert Humphrey while they campaigned and debated in Wisconsin. The filmmakers followed both candidates with their cameras and sound equipment almost everywhere -- the office, cars, backstage, even down long hallways (a signature effect that was picked up and spoofed in concert films). The film offers a more intimate look at the lives of presidential candidates, and it does so through removing the director's manipulating hand as much as possible. Other examples of this genre include Crisis and Salesman.

電影這種東西是從西方傳入東方,所以很多專業名詞也是外文中先有,你把外文翻成了自以為是的中文,再倒過來考考我們這些"傻瓜",什麼叫原生態,我也不知道,倒要問生態學家.這種不倫不類的翻譯值得商榷.請你把原文列出來,我可以查BRITANNICA,別的外行,查資料我是專家.我是MLIS.
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montrealer 發表於 2005-12-16 10:34 | 只看該作者
Synonyms
Here is a list of synonyms for the word "documentary."

Actualitie
Anti-war films
Anti-government films
Compilation films
Ethnographic film
Government film
How-to video
Independent film
Independently produced film
Industrial film
Journalistic film
Network news magazines
Non-fiction film
Propaganda film
Public television programs
Reality series
Reality show
Reality TV
Travel film
Travelogue
This short list illustrates just how far-reaching the term "documentary" can be and how loosely it can be applied. It also shows the difficulty in drawing disciplinary lines.

Almost out of hand some of these films have been excluded from the canon, such as the travelogues, government films, and how-to videos. Television has had a more difficult time gaining recognition in the field, though the situation is changing, as most documentaries now are seen on television, not in the movie theaters.
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montrealer 發表於 2005-12-16 10:37 | 只看該作者
Key Ideas
Several ideas about what a documentary is recur in its various definitions. Here is brief summary of some key ones. Keep in mind that not all of these ideas are applicable to all documentaries.

Nonfiction [/COLOR] Most definitions delineate documentary as a nonfiction work. Instead of filmmakers conceiving the film』s subject in their imaginations, they find the basis of their works in real life and real events[/COLOR].

Nonnarrative
Narrative is an organizational tool for a variety of cultural texts, and it is found predominantly in fiction films. While a documentary may incorporate narrative elements, it generally uses other methods (such as rhetorical argument) for its primary organizational system.


Purpose
A documentary strives to be more than escapist entertainment, though this is not to say that documentaries cannot and do not entertain. Instead of providing an outlet from the everyday world, documentary seeks to address our world and to educate us about it.


Subject
Documentary subjects come from life, not from the imagination. The subjects chosen tend to possess some kind of cultural relevance, be it historical, social, or scientific.


On-location Shooting[/COLOR]
Most documentary filmmakers shoot events where they actually occur[/COLOR].


Real People[/COLOR]
A documentary film depicts real people[/COLOR], not actors portraying other people.


For some definitions from film textbooks and guides, see definitions.
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montrealer 發表於 2005-12-16 10:39 | 只看該作者
Conventions
As a type of film or television develops, filmmakers and directors find certain techniques that become useful or effective in creating texts. These techniques get used again and again, and eventually they are associated with and are used to define certain types of texts. The techniques then become known as conventions.

Documentary has its fair share of conventions, which we can recognize in such mockumentaries as This is Spinal Tap and the recent A Mighty Wind, for these films call heightened attention to the conventions in order to make fun of them.

Below is a list of some conventions in documentary, along with some example works. Note that not all documentaries possess all of these traits.

Archival Footage and Photographs
Archival materials include old photographs, newsreel footage, and even shots from fiction films. For example, The Atomic Cafe makes exclusive use of archival footage from the 1940s and 1950s to spoof American's Cold War fear of an atomic bomb, and Feed culls footage from the 1992 primaries to show presidential hopefuls being anything but presidential. The Civil War employs an endless number of still photographs.

Talking Heads
Talking heads are people interviewed to explain or comment on the text's subject. These people usually are shown in their offices (sometimes with a wall of books behind them) or in their homes. For example, Hearts and Minds includes interviews with both American and Vietnamese people to offer their perspectives on the war. Vernon, Florida also makes use of an interesting selection of talking heads.


Jiggly Camera
A wobbly camera is often attributed to documentary. As cameras became more portable and more affordable, filmmakers did more on-location shooting, and keeping the camera steady was somewhat difficult when it came to following the action. Steadicam, a camera stabilizing system, aids in correcting what some perceive as a problem. The fiction film The Blair Witch Project makes use of the jiggly camera as a means of reinforcing its documentary-like .


Voiceover Narration
Voiceover narration occurs when a voice is heard on the soundtrack without a matching source in the image. In other words we hear the voice speak but we cannot see the speaker utter the words. The voice often explains or comments on the visuals. Early documentary made extensive use of this convention, including Pare Lorentz's When the Plow Broke the Plains and The River. A more contemporary example is Ansel Adams.


Re-enactments[/COLOR]
A re-enactment stages real events that already have occurred[/COLOR]. Sometimes they include the people who experienced the events orginally, but more often they incorporate actors playing parts.[/COLOR] The Thin Blue Line makes extensive use of this convention to assist in making its argument. Most documentary filmmakers shoot events where they actually occur. [/COLOR]


Real People[/COLOR]
For the most part, the people we see in a documentary are real people. We can assume that if we went to Flint, Michigan, we may meet the "ets or Meat" lady from Roger & Me. Or if we went to Texas, we may meet the people participating in the content to win a new truck in Hands on a Hard Body.
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montrealer 發表於 2005-12-16 10:46 | 只看該作者
Realism

Definition
A movement in film that attempts to capture or represent reality as closely as possible.

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Reality

Definition
An elusive concept that many documentary theorists claim as the ultimate goal of a documentary film -- the representation of reality. Other theorists such as Stella Bruzzi claim this goal is too idealistic.

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Reenactments

Definition
A production that re-creates an actual event as closely as possible.

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http://www.realityfilm.com/resources/terms/r.html#reenactments
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