沒有大氣藝術品來表現中國歷史故事。

Mar 26, 2017 at 5:30 PM

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我每一次讀中國浩瀚如煙的史載文獻里驚天地泣鬼神的歷史故事，沒看過真正的像西方文化那樣描述這些戲劇般場景的繪畫作品，或其他大氣藝術品  Every time I read the astonishing historical stories in China 』s vast historical literature, I have never seen paintings that describe these dramatic scenes like Western culture, or other magnificent works of art.
親愛的主席, 88, Jackie說你們還要我的短文, 謝謝捧場! 我寫文章有時難免思想如脫韁野馬，88更是文膽，會懂得寬容我的！哈哈哈哈 我在網上看到，去年年末中國國家博物館展出了「中華史詩美術大展」, 超贊！ 我這是第一次看見有這麼大規模的，對中國的文化歷史進行史詩般地以視覺繪畫雕塑的方式進行歌頌的！介紹中國古代歷史的群居，以及帝王將相，特別歷史人物，商業，四大發明等等. 以前看西方的文化, 無論是聖經上的故事, 希臘的神話故事, 以及重要的歷史關頭, 和表現風土人情的各種題材，有如此多的生動的油畫，和各種石雕. 我每次站在巨大的油畫面前，很感慨. 藝術家能夠以豐富的想象，多彩的筆觸，戲劇般地，石破天驚， 驚鴻一瞥，正當其時，巧妙而恰當的捕捉那個場景，藝術性地展現給觀眾！那不光是繪畫雕塑的技巧，而是藝術品的內涵深深地震撼人心！無論是何種題材，藝術家們都知道怎麼樣來不同尋常地表現！藝術家畫 「拿破崙加冕」 是如此的大氣，畫維納斯幽會是如此浪漫優美，很多場景彷彿自己身在其中，感覺得到事件關頭戲劇般的張力. 西方繪畫雕塑的技巧如此先進，為後來的視覺藝術-戲劇電影的發展，提供了豐富的資源. 中國不是視覺文化大國，中國人偏重文字的抽象思維，而抽象思維帶來的想象力盡情地表現在唐宋優美的中國詩詞中. 而中國畫也更講究意境. 平心而論中國畫的黑白表現力，即使加彩，也是有其局限性的. 我每次看西方的繪畫，那些屏息凝神的戲劇場景，讓我感動不已. 而我每一次讀中國浩瀚如煙的史載文獻，那些驚天地泣鬼神的歷史故事，正史野史，每次觀看，聽說講那些歷史故事，我總歸覺得不夠過癮，因為那只是演戲和說書，我從來沒看過真正的像西方文化那樣描述這些戲劇般場景的繪畫作品，或其他大氣藝術品. 我曾經去過敦煌，去過孔府碑林，敦煌月亮灣，沙漠綠洲中，庭院廊壁上一幅幅幾千年來會集的各個朝代各種字體刻字. 我領略中國文化的源遠流長，可是那只是單薄的線條藝術--書法而已呀，對於學藝術繪畫的人來說，那是最初級的藝術表現方法，他們總想尋找色彩豐富的，有立體人物的，戲劇般的，可以掛在廳堂上，吸引人注意的，把人的思緒帶向更深更高處的大作. 上海美術館有這樣的大作，可大多是政治上的宣傳， 甚至Jackie都不以為然.  這次終於有了這方面的作品.

Dear Chairman, 88, Jackie said that you still want my essay, thank you for appreciating me! I sometimes when write articles,  that my ideas are unavoidably rushing out, like a wild horseshoe is a writer, you will understand and tolerate me!  Hahahaha I saw on the Internet that at the end of last year, the National Museum of China exhibited the "Chinese Epic Art Exhibition", great! This is the first time I have seen such a large-scale, epic eulogizing Chinese cultural history with visual painting and sculpture! It introduces the dwellings of ancient Chinese history, as well as the emperor, special historical figures, business, the four major inventions, and so on. Look at western culture before, whether it』s a biblical story, a Greek mythological story, and important historical junctures and expressions, there are so many vivid oil paintings and various stone carvings on various themes of local customs and customs. Every time I stand in front of the huge oil painting, I am very moved. With rich imagination, colorful brush strokes, the artist can shake the sky with a dramatic look, and at that moment, he can cleverly and appropriately capture that scene and present it artistically to the audience! It's not just the technique of painting and sculpture, but the connotation of artwork deeply shocks people's hearts! No matter what the subject matter, artists know how to express connotation unusually! The 「Napoleon Coronation」 painted by the artist is so magnificent. The date of Venus is so romantic and beautiful. Many scenes seem to be in it myself. I feel the dramatic tension of the moment. The skills of Western painting and sculpture are so Advanced, which provided abundant resources for the development of later visual arts-drama and film. China is not a big country of visual culture. Chinese people prefer the abstract thinking of words, and the imagination brought by abstract thinking is expressed in the beautiful poetry of Tang and Song Dynasty.  And Chinese painting is more particular about artistic conception. In all fairness, the black and white expressiveness of Chinese paintings has its limitations, even if it is colored. Every time I look at Western paintings, I am touched by those breathtaking and dramatic scenes. And every time I read China's vast and waves of historical documents, those horrifying historical stories, true history, non-official history, every time I watch and listen to those historical stories, I always feel that it is not enough. Because it's just acting and storytelling, I have never seen paintings that truly describe these theatrical scenes as in Western culture, or other magnificent works of art. I have been to Dunhuang and to the Confucius' tomb Forest. Dunhuang's Moon Bay, in the desert oasis, the walls of the courtyard have a variety of letterings from various dynasties gathered over thousands of years. I appreciate the long history of Chinese culture, but it』s just thin line art—calligraphy. For those who study art and painting, that』s the first level of artistic expression. They always want to find colorful, three-dimensional characters. It is dramatic, can be hung in the hall, attracts attention, and can bring people's thoughts to deeper and higher masterpieces. The Shanghai Art Museum has such masterpieces, but most of them are political propaganda, and even Jackie disagrees. This time they finally have works in this area.