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ChenYN Piano Tuner 陳師傅調音-Pitch Raising （左右手調音）

作者：yinan 於 2024-7-19 04:49 發表於最熱鬧的華人社交網路--貝殼村

通用分類:原創文學

鋼琴調律左手還是右手—我採用交叉兩手鋼琴調音手法的體會： Should I tune the piano left-handed or right-my experience using the cross-handed piano tuning technique:

「樂器之王」鋼琴由近萬個零部件組成，其設計之科學丶結構之複雜丶工藝之精密居所有樂器之首。因此，在進行鋼琴調音時，調音師所採用的手法和姿勢，應該符合鋼琴的結構特點及工藝要求，以免調音時損壞鋼琴零部件。同時還應注意，所採用調音手法和姿勢，要有利於調音者節省體力丶減少疲勞丶方便調音，避免造成身體損傷，只有如此才能提高鋼琴調音的速度和精度。The "King of Musical Instruments" is composed of nearly 10,000 parts. Its scientific design, complex structure, and precision craftsmanship rank first among all musical instruments. Therefore, when tuning a piano, the techniques and postures used by the tuner should comply with the structural characteristics and process requirements of the piano to avoid damaging the piano parts during tuning. At the same time, it should also be noted that the tuning techniques and postures used should help the tuner save energy, reduce fatigue, facilitate tuning, and avoid physical damage. Only in this way can the speed and accuracy of piano tuning be improved.

通過三十多年的實踐和積累，特別是有意識的培養和鍛煉交叉雙手調音手法，在我的調音生涯之中起到了非常重要的作用和效果。這裡所謂的交叉雙手鋼琴調音手法，是指在給鋼琴調音時，調音扳子放置在什麼方位，鋼琴調音師用哪只手控制扳子，如何運扳以及身體相應的姿勢等等控制內容。關於調音時用哪只手控制扳子更為合理，歷來爭議很大，甚至形成了派別和對立。Through more than thirty years of practice and accumulation, especially the conscious cultivation and training of cross-handed tuning techniques, it has played a very important role and effect in my tuning career. The so-called cross-handed piano tuning technique here refers to the position of the tuning wrench when tuning the piano, which hand the piano tuner uses to control the wrench, how to move the wrench and the corresponding body posture, etc. . There has always been great controversy over which hand is more reasonable to use to control the wrench when tuning, and even factions and antagonisms have formed.

在歐洲和日本，調音師基本上採用右手持扳，不同的是歐洲的調音師基本上是坐著用右手進行調音，而日本的調音師們則採取站立的姿勢用右手調音。在中國大多數鋼琴調音師使用左手持扳調音，也有部分調音師右手持扳調音，相同的是國內的鋼琴調音師都採用坐姿。In Europe and Japan, tuners basically use the right hand to hold the lever. The difference is that European tuners basically sit and tune with their right hands, while Japanese tuners use a standing posture to tune with their right hands. In China, most piano tuners use their left hand to tune the piano, and some tuners use their right hand to tune. The same thing is that domestic piano tuners all use a sitting position.

那麼究竟哪種調音手法更為合理丶更科學，我認為需要從個體的差異角度來考量比較好，其次就是需要從鋼琴有關部分的結構特點丶工藝要求以及人體的生理情況等方面，去分析和總結。我在接觸和交流學習了施坦威鋼琴調音師的操作手法后認為，交叉雙手調音手法效果非常好特推薦如下：高音區及中音區左手及右手均可，低音區則右手比較合適。（2019）So which tuning technique is more reasonable and scientific? I think it needs to be considered from the perspective of individual differences. Secondly, it needs to be analyzed from the structural characteristics of the relevant parts of the piano, process requirements and the physiological conditions of the human body. and summary. After contacting and communicating with each other and learning the operating techniques of Steinway piano tuners, I believe that the cross-handed tuning technique is very effective. I recommend the following: both the left and right hands are suitable for the high and alto areas, and the right hand is more suitable for the bass area. . (2019) After I contacted and exchanged the experience of Steinway piano tuner, I thought that the effect of cross-handed tuning is very good. The following are recommended: high-pitched and mid-range left and right hands, and low-range right-handed. . New York piano tuner yinan

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