施坦威B-211重建榔頭整音及調音
Steinway B-211 reconstruction hammer tuning and tuning
有一位鋼琴技師說重建鋼琴榔頭一定要帶著製造鋼琴的思維去做,而不是簡單的榔頭修復或者更換……。遺憾的是我現在經手的這台shitanwei B211 鋼琴榔頭的重建沒有這樣思路,導致客戶埋怨和遺憾的同時也讓我感到責任和壓力。
確認目標就是在保留能量的同時消除雜音和雜訊,最大極限的涉及針刺位置——深針刺,尋找最小限度的針刺數——則必須在打擊點上針刺……使用定音靜音楔和強奏測試來確定哪些弦的音是嘈雜的。通過多年紐約施坦威鋼琴的調音及整音經驗我認為,對一套新弦槌進行整音,有多種途徑使其符合鋼琴和客戶所需。為了彌補弦槌製造和設計上及重建過程中與鋼琴不匹配,適度使用各種整音環節及程序最終達到理想的音色。
貝多芬的作品《悲愴》的慢板(Adagio cantabile)樂章是整首曲子最為著名的部分,以悲傷、深沉的旋律為特點。它以柔和的鋼琴演奏和弱弱的音量及音色開始,然後在旋律上逐漸加強達到高潮,接著又逐漸減弱。通過整音后彈奏這架施坦威鋼琴的音色出現了柔潤般的改變,完全展示了其柔美潤澤的飽滿音色精華乃至旋律結束,客戶和我的彈奏體驗同步產生了共鳴均留下深刻的印象。
A piano technician said that the reconstruction of the piano hamme must be done with the idea of making a piano, rather than simply repairing or replacing the hammer... It's a pity that the reconstruction of the shitanwei B211 piano hamlet I'm working on now does not have such a way of thinking, which leads to customers' complaints and regrets, and also makes me feel responsible and pressured. The confirmation goal is to eliminate noise and noise while retaining energy.
The maximum limit involves the needle position - deep needle, find the minimum number of needles - must be needle at the strike point... Use the fixed mute wedge and strong performance test to determine which strings are noisy. Through many years of tuning and tuning experience of Steinway pianos in New York, I think there are many ways to tune a new set of hammers to meet the needs of pianos and customers. In order to make up for the mismatch between the piano in the manufacture and design and reconstruction of the string hammer, various wholeing links and procedures are used moderately to finally achieve the ideal tone. The slow plate (Adagio cantabile) movement of Beethoven's "Path" is the most famous part of the whole song, which is characterized by sad and deep melodies. It begins with soft piano performance and weak volume and tone, and then gradually strengthens to the climax on the melody, and then gradually weakens. By playing the Steinway piano after straightening, the tone of the Steinway piano has changed softly, fully demonstrating its soft and moist full tone essence and even the end of the melody. The customer and my playing experience resonated and left a deep impression.